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Showing posts with label lesbian. Show all posts
Showing posts with label lesbian. Show all posts

Thursday, July 10, 2014

Anti-LGBT Violence and Homophobia - A Growing Problem in Brazil

Even though our much loved Clarina storyline is soon coming to an end, the same cannot be said of the homophobia and anti-LGBT violence in Brazil. Feeling the urge to do something, I teamed up with Emily, whom I met through the fandom and we began researching. The result is the letter you will find below. We have contacted several media organizations regarding this issue. At the time of publication, at least one media outlet has picked up on the story and a major LGBT rights organization with global reach is now also following the situation. We hope this letter will raise awareness and you can help by forwarding this letter to any media organization that might be interested in this topic. The letter is available in several languages. Thank you for your help.

Sincerely,

Emily & Colette

Translations
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Deutsch
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Italiano
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Anti-LGBT Violence and Homophobia - A Growing Problem in Brazil

Despite being home to one of the world’s largest LGBT pride celebrations and their 2013 legalization of same-sex marriage, Brazil is a country where for too many, prejudice and homophobia are still a painful and dangerous part of everyday life. Even though violence in Brazil has decreased over the past decade, crime against LGBT persons has increased, culminating in reports of 1 LGBT person murdered every 24 hours.”Though Brazil’s government has been making significant efforts to combat racial and LGBT discrimination, reports indicate that anti-LGBT violence continues to escalate and homophobia is still very much alive throughout Brazil even in those pockets of the country where LGBT culture thrives.

Many blame the rampant homophobia on the lack of education and visibility. Like the U.S., powerful conservative political groups and the Evangelical churches often use hateful, anti-gay rhetoric and media influence to incite panic and distrust of the LGBT community among members of society who are largely poor and uneducated. This part of the population is also a stalwart portion of the audience for Brazil’s famous 'novelas'. That makes television a powerful medium for battling homophobia and there is one network in particular that holds most of this power.

Powerhouse Globo

Globo is a media giant. As the world’s second largest television network (by annual revenues) and the largest media group in Latin America, Globo is the most powerful and influential company in Brazil. In comfortable control of almost half the market, Globo has the means at its disposal to change people’s minds and influence the direction in which the country is headed. According to Forbes.com, the size of Globo’s viewership puts it “in a position to exert significant influence on the outcome of national politics.” Because of its vast reach and immense audience, it doesn’t have to answer to anyone.

Globo seemingly understands and embraces its responsibility to educate viewers and acknowledges that television is a medium that can be used to teach a nation. Its own identity statement boasts, ‘throughout the years, TV Globo has discovered ways to entertain, inform and educate’. This accountability would seem to be particularly relevant for the network’s large conservative audience where homophobic opinion still pervades. Now, Globo has a golden opportunity to educate these audience members through its most popular programming – the novela.

Generally, the novela airing at 9pm is considered the most popular and influential, as it gathers the largest audience. Unlike American soap operas, novelas are only scheduled to last a few months. ‘Em Família,’ the current novela which airs at 9pm, began airing in February of this year and will conclude on the 18th of July. This particular novela stands out because it features a prominent lesbian couple – a first for this type of programming on Globo’s network.

The same-sex couple, Clara and Marina, has become the most popular pairing on the show, garnering a worldwide fan base while giving Brazil a realistic representation of a lesbian storyline that is beautiful and intriguing to watch. The coupling also had all the potential to educate people and put homosexuality in a more positive light and Globo pitched it as the ideal vessel for delivering an LGBT-positive message. However, soon after the romance began to develop and play out on the televisions of conservative Brazilian homes, it became clear that Globo would capitulate to prejudice and homophobia by reshaping and desexualizing the storyline.

The Storyline So Far

Loosely based on a real-life love affair, the story of Clara and Marina (‘Clarina’ as nicknamed by the fans) started out promising. Upon first meeting, the chemistry and mutual attraction between married mother Clara and glamorous lesbian photographer Marina was undeniable. Clara’s confusion about falling in love with a woman and her eventual acceptance of her bisexuality, were realistically portrayed and wonderful to watch. Marina realized very early on that Clara was the love of her life. Both women changed each other for the better. Upon meeting Marina, Clara came to realize that she had spent many years living for everyone else instead of herself. She embraced a new outlook on life and redefined her concept of happiness which gained her more confidence and independence. Soon, it became clear that her previous path wouldn’t bring her closer to happiness but that she would, in fact, find it by Marina’s side.

The story taps into the full spectrum of coming out issues including, but not limited to, self-acceptance, faith, divorce, custody and extended families. The lead actresses and entire cast were committed to an honest portrayal and the iconic novella writer, Manoel Carlos, was willing to write a history-making script that would significantly and positively alter perception of same-sex relationships. Instead, Globo has censored this promising story and has taken it down a very disappointing and homophobic path.

How Globo Failed

By casting Giovanna Antonelli as Clara it looked like Globo created the perfect opportunity to teach Brazil what a healthy, same-sex relationship looks like. As one of the most popular and influential actresses in Brazil, she has support all over the country from all layers of the population and in the public’s opinion she can do no wrong. Together with Tainá Müller as Marina, the two have portrayed the process of falling in love with someone of the same gender with beautiful realism and generated a chemistry rarely seen on any television screen, making this story extremely believable and because of that, incredibly relevant. They quickly became more popular than the show’s main couple and seemed destined to become one of the most important and influential LGBT stories. Broadcaster Globo possessed the ideal medium to bring messages straight into conservative living rooms all over the country and had the ideal candidate that could change minds and create a better LGBT environment. Globo chose to waste it.

Kisses and intimate scenes had been scripted by Globo previously, but were ultimately edited out at the last minute or never recorded. According to Forbes, Globo has bowed down to conservative pressures and back-pedaled on decisions to air homosexual content on at least five different occasions. Writers at Globo have even been “verbally warned” not to create gay plotlines. It was only in January of 2014 that Globo aired its first ever same-sex kiss on scripted television. This kiss between two men aired in the very last episode of the series, likely due to fears that an earlier kiss would have led to a boycott, even though the kiss was received very positively. Unfortunately, Globo has chosen the same direction for the Clarina storyline. Tension between the two ladies had become so charged that postponing a kiss was close to ridiculous. Globo, which had previously remained silent on the topic, finally announced that a kiss would be shown; however, it would appear in the final week of the novela. With the end of Clara’s marriage and the freedom to embark on their own relationship, how would Globo avoid airing the climactic first kiss they had been building towards since the first episode? The day Clara’s husband moved out, the show introduced a time skip that pushed all the stories ahead several months. The only storyline radically changed by the time skip was the one between Clara and Marina.

Suddenly, when the caption read ‘months later,’ the two women were already in a relationship, but still shared nothing more than glances, hugs, handholding and after a few weeks a very chaste peck, popular couples continued to share steamy love scenes night after night. The audience is to believe they have kissed and made love, but this occurred off-screen, and viewers wouldn’t be seeing any of it. Even the first kiss, the most important one, viewers can only imagine how amazing it would have been. Globo itself claims there is no taboo, so why does it refuse to show any kind of realistic kiss or love scene between them as though it is a forbidden subject?

Let down by the network are young LGBT Brazilians struggling with questions about their own sexuality. They desperately need someone or something to reassure them of their feelings and to ensure that their sexuality is nothing to be ashamed of. By censoring scenes of affection between same-sex couples, Globo sends the message that being gay is shameful and something that deserves to be hidden away from others. Even though Globo proudly claims, “the network allows viewers to see themselves in programming...” it has not represented LGBT characters with equality. “Julio Moreira, president of the gay rights group Arco-Iris, told the Extra newspaper. ‘Gay people have always been portrayed as marginal [characters] or in some negative way.’” Globo treats them as stereotypes and background characters without romance.

Globo’s Motives

So why waste this opportunity to make such a significant change? Like so many television networks - it appears that Globo has succumbed to its fear of losing advertising revenue. The threat of an Evangelical boycott drove the show to decide to air its same-sex kiss between Clara and Marina in one of the very last episodes, safe and risk free. Instead of building on the progress made by the male couple back in January, it fears this female kiss will cost them sponsors and eventually impact profits.

Globo and their sponsors ultimately share responsibility for failing to support accurate portrayals of LGBT people – portrayals that could offer a counter message to the nationwide epidemic of homophobia that torments both young and old struggling with their sexuality. They continue to treat the LGBT community like second-class citizens. Profits are the reason the network and advertisers are choosing to keep prejudice alive. This cannot be allowed.

Our Conclusion

We wanted to call your attention to this story and to this moment in Brazil because we believe the country is on the brink of a breakthrough. The LGBT community continues to fight for equality despite opposition from the powerful Evangelical movement. Globo absolutely has the resources to make a positive difference in the LGBT struggle for full inclusion but it continues to put profits before people.

That’s why an amazing number of people from across the Globe have united to challenge Globo. Thousands of fans have taken to Twitter to trend messages (often worldwide) every single day for the past several months, they have organized mass emails to Globo, and developed video compilations with heartfelt statements from all around the world about the positive impact of this story all in hopes that this giant among the networks will display the relationship without prejudice.

They have heard us, but they haven’t listened yet. The continuous noise from fans has Globo’s attention and they have attempted to throw a proverbial bone now and then, yet what they have offered is not fully authentic and falls short of an accurate and honest portrayal of a same-sex partnership.

We believe that if prominent international media or organizations call out the inequality in messaging, then Globo will listen and change.










MEDIA INQUIRES

Tuesday, May 27, 2014

A Message to Globo

Versão em Português


Dear Globo,

Let me start by telling you how much I appreciate that you have given me and many others with me, the wonderful story of Clara and Marina, two women who fall in love in such a way that we couldn’t help but fall in love with them. It has swept us off our feet, spun our heads around, it made us giggle, swoon, cry, laugh and love. We felt their shivers, the butterflies, we saw the stolen looks, felt their hands intertwine, held our breath without knowing. They couldn’t look away when they first saw each other, but we couldn’t either. So for this, for giving us this, you have my thanks.


But, something has me a little worried. I don’t want to be worried, not about Clara and Marina, but I am. I am worried that I will be let down by my own optimistic belief that everything will be alright. Because my belief is, that they will be together soon, that they will be shown as a couple like any other you have on the show. A couple that has public displays of affection, shares a kiss every now and then, that can’t help themselves as they passionately make their way into the bedroom while they can’t keep their hands off of each other. I believe this. I want to believe this. Because how could you not, right? They are so amazing, they have me so captivated, how could you not? I can hardly imagine, that anyone would actually not do that.

Tuesday, May 13, 2014

A tiny Clara Dear in the Headlights

Tiny note on Clara’s talk with her mom. I just realized I wrote 'tiny' when I started writing, now that I am done and adding this line, it turns out 'tiny' for me is 'only' three pages. Good to know.


I think this has been the most important Clarina episode to date. By a mile. I’m not going to dissect every emotion and sentence in detail this time, so this is not my usual huge elaborate and detailed scene analysis, I'm hoping to get to that as well, but first I want to focus on something else.

Many people are saying Clara has been leading Marina on. I don’t think she has. I do think she is underestimating what Marina has gone through, but I’ll get back to later. First things first, let me quote a few things that Clara told her mom tonight.

‘It’s difficult to Cadu, to Marina it isn’t.’
‘Marina has never asked me to leave my husband. Abandon my son. She loves him.'

Right before that, Chica asked Clara if this maybe could have happened because she and Cadu were in a crisis, then that girl showed up, helped her, sheltered her, showed her a different path.


Clara is trying to show her mother that Marina is not taking advantage of a situation. She’s not Clara’s escape from a crisis at home. Marina isn’t trying to steal her away from her husband. She’s not Clara’s escape, she’s Clara’s love. She emphasizes she never asked her to leave him. She wants her mom to see she's not being pressured, this is all her. These are her feelings, she’s not being played or manipulated into making a decision hastily that she might regret later.

Monday, May 12, 2014

One book called Clarina, two different editions

Here’s what happened last night. Marina is talking to Laerte about working there as a teacher. He’s usually creepy but surprisingly tolerable if he’s in the same shot as Marina, but still gonna skip it mostly except for saying Marina’s wonderful and charming and makes sure to eye Clara for a bit when she brings them special cappuccino. After he leaves, Clara sits down with her and starts the flirty comments right away when she says: ‘So, starting next week you’re going to be around here all the time, huh?’


She says it playfully, casually, big smile on her face and her head is turning sideways in that playful manner. She’s very happy at the prospect of seeing Marina there a lot. To me, it’s very interesting that she’s the one to start the flirting, she’s not letting Marina take the lead in that alone anymore, she initiates it herself as well. So when it comes to the flirting, she’s all comfortable and happy. She loves it. They are in a flirty place and it’s a place that by now feels like home. I’ll get back to that later.

Marina replies jokingly that since the ‘little miss’ isn’t showing up at the studio, she now managed to stay close so she won’t forget about her. Clara smiles kind of shyly at this. She loves hearing it, it makes her feel good, not only because it’s Marina saying it, the woman she loves, but also because it’s fun to hear someone wants to be around you. She’s so in love she can’t even hear Tânia Mara in the background.

Thursday, May 08, 2014

The Stare! Clara's guilt and Felipe was the trigger!

So this happened!

I’m watching this episode on the live stream, my forum is open, I’m armed with a chocolate bar and ready to exchange witty comments about the episodes with my girls there. We open where we left off, Cadu being very heartless at the moment.Complications happen, his heart rate goes down, blood pressure, something else, I’m not sure exactly, but things bleep and people get nervous and big eyed and it’s all supposed to be very scary and tense and terrifying.

We cut to the waiting room where we find almost the entire Em Familia family hanging on couches, lounging in chairs, staring into the distance, all anxiously awaiting news. Clara is talking on the phone to her son Ivan, I don’t speak Portuguese so I still have no idea what she said but I am assuming she is telling him comforting things and he should just go to bed and reassuring him that everything is going to be ok and he can talk to his father soon. Marina is seated next to Clara while she talks and near the end of the conversation, Chica sits down next to her daughter on the other side. After Clara hangs up, she is clearly worried and understandably so. About Cadu, but also how her son is dealing with it and I’m sure she wishes she could give him a hug right now. Her mother puts a comforting arm around her, Marina puts a hand on her shoulder. Clara immediately reacts to the hand, turns her head to look at Marina for a little bit of support while she reaches up with her own hand so she can hold hers and also, I can’t stop looking at the thumb rubbing they are doing. It’s so sweet and loving, she's so grateful she’s there with her. Love it.


She then shares a cute mother-daughter moment with Chica, resting their heads together, then she looks back to search for Marina’s eyes again and they share a totally sweet smile. Clara leans her chin on her own hand, the one that’s holding Marina’s and we all know it’s Marina’s hand she’s actually leaning on. Marina leans in to rest her own head against Clara’s shoulder as well and in my opinion that shot could have been longer, but alas, Felipe walks in so we cut to him, because he has important news. Everybody runs over and tells him to say something, but he’s one of those guys that makes lame jokes at inappropriate times and thinks he’s funny, so he put on his doomsday face, makes everybody yell at him to talk already and speak and for the love of whatever is holy to you, say something. After about 5 minutes he finally does. Cadu is alright, the surgery was a success.


Friday, May 02, 2014

Clarina endgame? Hell yes! Clara still affectionate with Cadu? And yes she loves Marina.

Before we get into this, this post isn't long enough yet ;) so first a quick little author's note including a tiny bit of spoiler talk about a scene from next week. Don't say I didn't warn ya.

Anyway, I got a tickle to write this article after the episode last night (April 30), started rambling happily and straight into the morning, then suddenly it was 9 am and I remembered I had to run off to an appointment at 9:30am, but I hadn't finished writing yet! Itching to get back to it though. Got back home at 11am, was going to write more and finish it, but a friend asked me for help on her thesis. She's not good at English so I offered to help her with that a while ago. This bit she had couldn't wait, she had to hand it in today, so I spent until 4 pm checking that. Still not finished the blog, still itching. Text was done at least, still had to clean it up a bit, but at 6pm I had to leave again, sporty stuff to do, the last week of this season, which means last practice, last game on sunday, so I wasn't gonna miss tonight. It was emotional, I'm kind of drained at the moment. But, this post is still not finished so I got right back to it. My points were mostly made, it was just cleaning up I had to do. Which is what I did just now.

Early this afternoon however, before practice, I see that a spoiler has been posted. Now while I think the spoiler itself is really promising, it says that Clara admits she loves Marina and that she loves Cadu and she thinks she's bisexual, loves them both equally. She also says she can't decide, she doesn't know how, maybe because she hasn't been with Marina yet, so she doesn't know what it's like.
Well, what do you know, I just spent six hours rambling about exactly that, about her having no comparison, she doesn't know what she is missing, which is why she can't choose. Also trying to convince certain people who don't believe that she indeed loves Marina. Because if she did, she wouldn't be all couply with Cadu, right? No, wrong, is my opinion, Which is why this post was trying to explain why she does love her and why it does make sense for Clara to still be affectionate with him. And then that spoiler comes out.

Well crap.

I wish I'd finished this before it came out, cause this post after that bit of info might seem to some, like: 'Yeah dude, everything you said was on that page as well and they said it in only 3 lines'. Humm, yeah, true. But I don't do 3 lines, I do 3 pages. At least. Yes this is long, I lied in the beginning and I'm not sorry. :P It's also not at all my point.

Tuesday, April 22, 2014

Clarina is teaching Brazil to accept gay story lines in the best subtle way possible

We had a discussion on the forum regarding the show and how the conversations in it are actually cleverly hidden attempts to educate the people watching. To show the ones who are 'against' homosexuality that it's not a bad evil thing at all. Original post here. The following below is my reply to another member.


I think that is exactly it. You can almost compare all this to Sesame Street for grownups, as in, they teach kids about right and wrong, basic things in life.

The audience here already has a fixed idea on what right and wrong is, the difference is, that idea is based on previous times. Times have changed though, and right and wrong has changed. 200 years ago the idea of women voting and having any say in things was outrageous. It took a long hard battle to change that around, but over time, people changed their views and the younger generations grew up believing in the 'new and improved' version.

That's what's happening here too. The younger generation and the open minded people in the older generations now banded together to get this new idea in people's minds that homosexuality isn't evil. In fact it's been around for a very long time and it's very normal at that. Not only are they giving hints like this in the story itself, but also the actors, even the ones not directly involved in the story line, are giving their support outside of the soap. Not the characters giving support, but the actors, the ones with a voice cause people look up to them. For example the actress that plays Sylvia, she gave her support on Twitter. Even Reynaldo, the guy who's losing his wife in the show, he publicly supported the story line. That kind of stuff matters.

When it comes to hints in the show, Clara is scared she'll lose her son's custody cause Cadu threatened he'd fight for it. Even though by law that may or may not be possible, she doesn't know that and the thought alone naturally scares her. Even though Cadu and Clara are on sort of friendly terms at the moment, he's still knows that his wife is still very much in love with Marina and the problem itself isn't going anywhere. They want the audience to realize this so the nay-sayers see a Clarina reunion coming, instead of thinking 'but they were getting along!'

So he asks Nando about it. He can see the divorce coming, maybe it will, maybe it won't, but he can sense the problem still exists and he wants to cover his angles. It's an understandable thing to do in Cadu's case. he wants to know his options, I don't really blame him when you look at it from his perspective. In his view two women can't really be in love, but Nando is the Sesame Street wise man who tells him: 'It is possible, they can fall in love, this won't hurt the child, this is not a reason to take custody from a mother.' He just says it in different words. He's not just telling Cadu, he's telling everyone watching that this is not a horrible thing and it certainly isn't a reason to separate mother and son.

Same with the Giselle/Branca scene. Giselle makes sure to point out Marina is not a hunter, she's in love. And probably so is Clara. She also makes sure her mother knows that in her opinion this cannot be used as a weapon against Chica. It's wrong. Love can't be used as a weapon, it should never be used as a weapon, cause love isn't something you choose. it's something that happens to you.

Marina may have been portrayed as somewhat of a predator in the beginning, going all in, trying to get Clara. When they went to Angra she told Vanessa she was hoping for more to happen. More being sex. As the story progressed and Marina realized she wasn't just in love and Clara was the one, it stopped being about sex, it started being about wanting to be together. Her whole demeanor changed, she stopped ordering Clara around like 'you're coming for dinner' etc, instead of wanting Clara to spend time with her because Marina wanted it, she wanted Clara to spend time with her because Clara wanted it. She wasn't a conquest, she was an equal, someone she highly respected and genuinely wanted her to respect her back. So her whole attitude changed.

Scene at the beach with Helena, Helena asks how she and Cadu are doing. She says they are doing better. No funky grin, nothing. Just a slight smile. They were fighting before. They aren't fighting all the time now. They're doing better and she is happy about it. When Helena asks about Marina, they are doing better too, and a huge naughty smile appears. They were already doing good, there was no fighting. The better refers to the romantic aspect, that's doing better. They just shared a huge romantic and intimate kiss that got Clara's hormones to fire up.

Even though the conversation between them was about Cadu and Marina both, when Helena goes to get a drink, it's Marina that Clara is thinking about. It her she sends a wonderful loving text, has the cutest phone conversation with. At the same time they show Marina at home, waiting patiently for news, being totally ecstatic when she receives it, bouncing up and down in her bed when she sees it's a message from Clara. Every housewife remembers what it was like to be in love as a teenager, how they bounced up and down when their crush acknowledged them. They can see that Marina is totally in love, they can see Clara is totally in love too.

It's exactly like a lot of you have already said here, it's educating. Love between women is possible, it's happening. It's not an evil thing. It's not anything that can decide custody over a child, Cadu is being educated along with the audience. I suspect he will come to terms with this at one point. Will be a while, sure, but he will see it. He will see it's just the way it is and that he didn't lose his wife specifically to another woman, he will see he lost his wife cause she loved someone else more than him. The fact that it's a woman, doesn't matter. Him accepting this will be crucial. If Cadu can accept it, so should the audience.

Nando's conversation with him was crucial. Giselle's conversation the same. Branca represents the housewife, the one who still thinks this is a scandal, something to hold on to, something to use as a weapon. Giselle represents the voice of reason, not only telling her it's love, but also scolding her mother about how you can't use love as a weapon. The whole audience can see that Branca is one to stir up trouble, she uses stuff to her advantage. Her 'ways' are evil and the audience is being given a message that using this love as a weapon is evil too. it's not right. Giselle stands up for her friends, the people she cares about. She's not just standing up for Marina here, she's standing up for her new step-sister Clara, also for the woman her father has fallen in love with, Chica. She cares about them. It's a textbook example of 'the good and the bad guy'. Using Clara and Marina as a weapon, only the bad guy would do. That's the real scandal.

That's what the soap is slowly working towards. They show nothing but affection and happy faces when Clara and Marina are together. They show friendship but not passion, when Clara and Cadu are together. They want the audience to see the real relationships here and that it's ok to be divorced, as long as you can all respect each other still.

Helena represents the conservative housewife as well, don't leave your husband, how would he feel? Choose your family, forget yourself. She chose her family a long time ago, she married not for herself, but for other people. She had this idea that that was what she was supposed to do back then. She too will change her view, she will see that choosing to forget about your own happiness is silly. Choosing unhappiness, being a dutiful housewife, those ideas are in the past. She too will see, 'Clara should choose happiness.' And with her, the housewife will relate.

I realize much of what I said has been said before, this is just me agreeing with it in my own words :) No matter what spoiler they throw at us, it's all part of the wonderful buildup not only towards 'Clarina', but towards making the audience see. There is no doubt in my mind and there hasn't been in a long time that this is what they are doing. Any spoiler that seems meh for us (Cadu and Clara have sex, Marina and Vanessa maybe sex, renewing vows, ring, whatever), it all a brilliant laid out plan to change the mind of a generation that was taught to disagree with this. They are being re-educated, they are being shown that it's ok to be gay, that as long as there is true love involved, you have to follow your heart. They are taught that the scandal isn't a lesbian relationship, the scandal is choosing an unhappy life.

That takes time. I am very happy the writers and the makers of the show saw the importance of that and decided to take all the time they needed, because they saw the huge relevance in this message and to its audience. It's truly groundbreaking and they deserve all the props.

We shouldn't boycott anything, we shouldn't give them negative feedback. We should praise them for doing this exactly the way we need them to.

Monday, April 21, 2014

Clara/Marina/Vanessa, let's take a closer look.

So there was some talk about a possible spoiler of Vanessa and Marina waking up intimately one morning, possibly implying sex. Here's my thoughts on that:

First of all, I’d like to say that I don’t mind at all if Clara gets a little reason to be jealous. Up till now Marina has been very clear that Clara is all she thinks about. I’m here, I’m waiting, don’t forget me, etc. Everything she told Clara has been nothing but ‘You’re all I think about, there is no one else.’ I believe this to be very true, I also think Clara believes this to be very true.

Even though Clara wants to be with Marina, I think this may have given her a bit of ‘extra’ time in her head, regarding the situation at home, with Cadu. She doesn't want people to get hurt, she cares about Cadu, wants her son to not get in the middle, doesn't want to lose custody, Marina has told her nothing but ‘take your time, I’ll be waiting’, Clara at this point has no urgency to solve it, other than her own desires. However, her own desires are the reason they are in this mess, so she feels that at this moment those own desires aren’t #1 priority. Her family comes first and what she wants has to be put on the backburner. Marina will be there.

Saturday, April 19, 2014

Clara & Marina, why they can make a difference. Please read this. The message matters and they deserve it. We all do.



Please reblog, retweet, repost, retumblr, anywhere you can, if this matters to you too.




The girls at Clarina Portugal have created a video for the campaign ClarinaAmorSemCensura. It tells us and everyone else why a wonderful story like this deserves to be viewed as any other romantic story ever shown on television. Not only is this a beautiful tale of love, it's the story of two women who have come a long way since they fell madly and hopelessly in love at first sight, rediscovered themselves through each other, still fight to be together and have some ways to go. But, I have absolute faith that they will get there, they will find each other. Their feelings literally scream at me from my screen and there is no denying that this is true love we're talking about.

As it happens, I think a story of true love should not be censored just because the same-sex pairing isn't right according to some. According to a whole lot of others, this pairing is fine. More than fine. Just like any other love story, this one needs to be told in all its wonderful glory. Why? Because this one is special. It's raw, it's real, I believe it, it takes me along for the ride in all the ways I want it to.

So on top of the video, I am going to explain to you why exactly this story matters so much to me and to others and I will do that in all the magnificent details I can manage to find, which believe me, is a lot. So sit back and I hope you will let me take you along and make you see it, I hope I can make you feel why these gorgeous ladies deserve to have their story shared with us, without anyone holding back for reasons most of us stopped understanding a long time ago.

Wednesday, April 16, 2014

Marina and Vanessa dynamic

After Vanessa's declaration to Marina that their love is eternal, someone said this:

sorry but I have to say this, Marina's behavior with Vanessa makes my blood boil more than ever, when she is with Clara she's pretend that there is nothing between them as only friendship but when Clara disappears for some time, Marina welcome Vanessa with open arms and that's why I can't blame Vanessa for her behavior with Clara if there's someone to blame it's only Marina, she should decisively tell Vanessa that they will never get back together and they don't have common future but what Marina doing? when Vanessa talk about them she only smiles and feeds Vanessa's hopes.

Another person replied with the following:

I don't think Marina feeds it. She doesn't need to say it every time she doesn't want Vanessa. If she wanted, she'd be with her, she's no6 feeding it. The way I see it, she doesn't want to hurt Vanessa's feelings, but they both know Marina doesn't feel that way about her. Vanessa hopes she will again though. And right now, Marina hopes that maybe she can get over Clara, because it's getting painful for her.

My reply:

I agree. If someone loves you and you don't feel the same way back (anymore), when your heart completely and totally belongs to someone else, you don't have to remind them every day that it's not going to happen. It hurts them and you don't want to hurt them all the time. Marina has made very clear to Vanessa that she is totally in love with Clara and that Clara is the one for her, that she's never been in love like this. Vanessa is understandably hurt by this but it's just the way things go sometimes. Vanessa has not made a whole lot of moves towards Marina, she's actually been a really good friend.

She's still a woman in love, this is a desperate attempt to see if there is anything left for her to cling to, if she and Marina are ever going to be lovers again. I can't really blame her for being in love and fighting for her love. She will eventually have to back off and she will. It'll hurt her, but she will. Marina's response was empty, when Vanessa caressed her chin, Marina even looked uncomfortable. She hasn't given Vanessa any indication that they are going to be back to what they were, Marina was just very hurt to not be able to see Clara for a bit, doesn't mean she's open to being with Vanessa now. Her heart still belongs to Clara and she's not even entertaining the idea at this point of anything else with Vanessa. Vanessa just had to give it one more try, something she hasn't done openly in a long time.

In my opinion, Marina's not hoping she can get over Clara. She's hoping she'll see her again soon cause waiting hurts.










MEDIA INQUIRES

Clara realizes this is what all the fuss was about

A thought or two about the scene where Helena tells Clara they are in love.

Clara is explaining to Helena about the electricity in the air, the charged atmosphere, 'if you touch any of us, you get a shock'.

Helena replies with 'the shivers down my spine' comment. Clara is all, yes, yes, that, ever had that? To her this feeling is new, different. She has no idea what it is, asks Helena about it cause it's so new to her.

Helena says she did and knows it means you're totally in love with someone. Clara explains it all as though this is the first time she's ever felt that before, which means, she never loved Cadu the way she loves Marina now, she never truly desired him when you take the word in its strongest and most powerful meaning. Just in her mind, since women weren't even a thought she ever entertained, whatever she felt for him must have been 'good enough'. She felt attraction to him, affection, he's handsome, a good father, she thought that was what it was supposed to feel like. She never had the feelings she has now.

What I mean is, she's realizing now that this is 'what all the fuss is about'. Being in love is supposed to be like this, she got it all wrong with Cadu. She thought that was as good as it gets and now she sees that it's not, it can be so much better. What she's feeling now is a new thing, she's never felt love and desire in all its glory before, she sees that she's been missing out all this time.

That's why it's all so overwhelming. She's caught so off guard by these feelings she literally doesn't know how to deal with them and what it means.










MEDIA INQUIRES

Clara admitting to love

A member posted this:
Sometimes I'm watching scenes and Marina is so desperate to know how Clara feels, a little bit. And Clara never opens up lol it's painful but good to watch. I hope it ends in a great Clara declaration scene.

Someone replied with this:
That's why the scene where Clara says that Cadu "notices" what they feel for each other is so important. It's the first time Clara has really acknowledged her feelings for Marina to Marina, and not to every single other female in her life (Helena, Juliana, Luiza)

My response:
Not truly the first time though. She's never said it so clearly, but she did say it, three times actually.

First time is right before Marina 'fires her from her heart'. In that scene she admits to feeling something, even though she doesn't know what:

Marina: Clara we are not children. Everything that we didn't speak verbally, we said all this time with gestures, with eyes, with emotion, almost telepathy. You know what I am talking about.
Clara: I do, I mean, I don't know well. Because I don't know how to deal with this, understand? To me, maybe it's doubt, I don't know, but it's very confusing, I don't know how to deal with this, Marina, do you understand?
Marina: I do, I do. It's exactly because of that that I'm talking for the both of us. Because I can't, I can't live any longer with the presence, the absence of your love.
Clara: You're talking about love?
Marina: Of course I am talking about love, what did you think I was talking about?

This here: She has already admitted to her husband there is something (after her birthday party), she has talked to her sister about it, but in her head, this is an attraction still, she calls it desire. She can't grasp the fact yet that it could be more than that. It simply hadn't crossed her mind. As far as she knew she felt this magnetic pull towards Marina, her world wasn't big enough yet to name it love. When Marina calls it that, it's the first time she thinks to herself: 'Oh my lord, is that what I am feeling? Is that what this is?' Cause she knows she's feeling it too. Now that she got this reality check, things just got more intense on a massive scale, cause she realizes she is right.

Second time: The day after. She goes to Marina and says she had time to think about it, and now Marina is going to listen. Won't quote the whole text but pieces that matter:

Clara: I thought about everything you said to me. About our situation. I can't get your words out of my mind, Marina, specifically the last ones.
Marina: Clara, I can’t remember.
Clara: You will. First you said that for our own good we need to be apart.
Marina: And you're gonna remember like this, sentence by sentence?
Clara: 'Cause I need you to see how they left a mark on me, Marina. Your words have gotten into my head, into my heart.

{--skip--}

Clara: I won't torture myself anymore. I don't want to torture you, either. I want to forget the bad memories, get it? But I need to tell you what stuck with me the most.
Marina: Wait a minute, you're sure this is necessary? You won't hurt me or yourself by bringing back the memory of something I don't want to remember, and maybe neither do you. Are you sure?
Clara: I am. I'm not here closing a door between us, I'm just leaving it slightly open. But you said that for a matter of your survival, you were firing me from your heart, didn't you?
Marina: It’s just a sentence.
Clara: A sentence that makes a lot of sense. And it got me thinking. I don’t have the right to keep insisting with my presence here. I don't have the right to stop your survival.
Marina: No, Clara.
Clara: That's why I came here to say that, I quit.

The conversation with Marina the day before has made her realize where this is headed. This is headed towards falling in love, something she hadn't considered before. Marina's words made it clear to her that she was in the same position. She had mistaken something for an attraction, something, desire. She didn't know what it was. It's why it was so confusing as well, she couldn't pinpoint it, she didn't realize it was love, cause feeling love for a woman like that simply wasn't an option. So she hears Marina say, cause of her love, in order for her to survive, she needs to fire her from her heart. This whole 'love' thing hit her so hard, she's aware now that that is what it is, and it scared her so hard, she's very afraid what that will mean for her and her family. She simply cannot face that idea yet. This new thing has got to be pushed aside, then maybe she can still salvage the situation. She realized that what Marina said about her survival, is exactly the same for her. She's not just protecting Marina, she doesn't want to see her hurt, sure, but she's also saying it for herself. She says she leaves the door slightly open. Maybe later, in time, we can pick something up, we can forget about love, fall out of it, and be friends again. She wants her in her life, but she thinks the only way to get that accomplished at this moment, is to not see Marina, so that the radical separation will work all this out. She even tells Marina she looks at her husband differently, cause of her, basically admitting that what she feels for Marina affects what she feels for her husband.

Marina begs her no and cries in her arms that she won't survive, Clara even admits that she might not either. The realization of her feelings hit her hard, but at this point, she knows it's true. She can barely walk away from her, both cause her own heart breaks from seeing Marina crying like that, and double shatters cause she's hurting just as much. She just feels she can still save this. She still thinks there is a way back.

Later, as she has dinner with Juliana and talks about the attraction to another woman, at one point she says:
'I think I'd only start an adventure like that if I didn't love my husband like I do, or if I loved that woman more than I love my husband.'

It's still an adventure to her, something she can fix. But she also says 'or if I loved that woman more than I love my husband.'
We are at that point now, she is ready to leave him, she loves Marina more than she loves him. She also knows it's not an adventure. it's very very real.

Third time: Marina uses her one foot to hobble over to Clara's house.
She admits she didn't know what to do, she was a mess. She admits she did want to pick up her calls and felt like calling all the time. She admits time isn't passing and it's hard. She admits she is suffering. At this point, Marina basically makes her move, tells her she is in love with her. The words hit her hard, she knew already but hearing them feels so much better, Clara is so hypnotized, if they hadn't been interrupted, Marina would probably have kissed her.

At lunch the day after, she is very aware she is in falling madly in love but she's in over her head, she can't stay away and she knows it's going to happen. She even admits to Marina that Vanessa has reason to be jealous, tells Marina she is... lovely. Still careful about it, but she can't help but stare and smile and gaze and Clara is in major trouble.

So she did say, she did admit. She used different words, but in a few different ways, she has told Marina her feelings. She was just never clear about or acting on them, or how strong exactly they were, the latter also because of her simply underestimating her own feelings, not realizing how deep they went.

So although saying this to Marina now, yes, she's admitting it again, but it's not the first time exactly, in my opinion.










MEDIA INQUIRES

The power of Giovanna Antonelli

A member commented on my previous post regarding their balance, she talked about how important Giovanna Antonelli was for this storyline. I will list both her post and my reply:

Hers:
Of course, a role reversal was planned for the two characters since the beginning of the show. We all noticed that Clara was stronger and that Marina was not a girl "who has just fun" anymore.
But what us, international viewers, did not see coming, was GIO. What we see in the "Boobs kiss scene" (I don't know how to name it lol  :D  ), are Taina and Gio fooling around. The shooting schedule of the novelas is so insane that they improvise a lot. A lot of things belong to actors once the set is ready. We're not used to that with us or european shows.

Gio is the strongest person in Clarina. Because of her personnality in real life (She's a leader, she's very open and at the same time Taina is pretty shy), but also because of the challenge she took with this "lesbian" story. At the beginning of the show I had no idea of who she was. All the brazilians here told us she was a star, but I did not see why. Of course she was pretty, good actor etc... But now we've got a good idea of how important she is. She's a real star and with the low ratings she becomes THE STAR of the show. And we can actually see it on screen : she takes the lead on the "boobs kiss scene". She takes the lead for the entire show.



My response: 
You make excellent points as well. I'd never heard of Gio or Taina or Globo or Em Familia before this, but as I started watching, the first scene I actually stumbled upon was the one where Marina is in Clara's room and tells her she loves her. I was struck by both their beauty, but I was even more drawn to Gio, the whole glow she has about her, the way her eyes look at you. How I wished those eyes looked at me like that.

As I watched the story from the beginning, I was surprised to see Clara with the bangs, different outfit, different personality. A different person. The way she held herself, her confidence, it's a totally different person from who she is now. Look at those first scenes, then look at the scene where she talks to Helena where she says she wants to live her own life, she doesn't owe anything to others. It's such a radical shift. You hardly even notice it along the way how radical it was cause Gio portrays her so flawlessly, she eases Clara into it, she eases the audience into it. When you look at the first scenes and the scenes she has now, you can tell the difference. It's miles apart. Pure class.

She's indeed very important to the story, she improvises at the exact right moments, has the perfect responses to the littlest things. For example, right before the almost kiss, when Vanessa says she's never seen Marina so sick with love before like Marina is now. Clara's reaction is so minimal, so subtle, as she looks at Marina when Vanessa says this, her whole body posture reacts as her heart melts with love for her. The class that Gio puts into it, amazing. Whether that look was in the script or not, the way she does it, is all Gio. That look gave me the chills.

I never heard of Giovanna before this. I'm sure glad I've heard of her now.










MEDIA INQUIRES

Follow up on the dance scene regarding the balance in their relationship

Original post here.



This. I've had had that exact same thought. For me, the first moment that Clara takes control is after Marina tells her she's going to ban her from her heart. That scene starts with Clara apologizing and being sorry for being late etc etc. It ends with her walking out. She goes home to think about things, then goes back to Marina's place and the first thing she says is:

'I've been thinking about what you said, and now you're the one who's going to listen.'

The dance scene: Clara's growth

I had been away for a couple of hours and caught up on the pages. The scene with the flashback and the dance had just aired the previous night and people had been discussing it. I had seen a detail and wanted to mention it. Original post here.


My favorite scene

A member asked others what their favorite scene was, here.

My favorite scene by far, was the moment after the shoot, the dancing around the bedrooms. That scene was one of the most wonderful scenes I have witnessed ever.

They both went to their own bedroom, danced around, so incredibly happy, both even laughing out loud as they let themselves fall on their beds. So overwhelmed, so exhilarated, so incredibly happy, I'd even go as far as calling it orgasmic. They can't even deal with all the ridiculously strong emotions shooting through their bodies, both experiencing and riding it without knowing the other is doing the exact same thing.


Brazil and homosexuality on television

There was a discussion about a homosexual storyline on television still being a taboo in Brazil. Read the entire discussion here. I replied to a member who posted the following:

'Because someone in Brazil has to be the first to break the mold and write a lesbian storyline; someone has to be the one to go through all the hardship and fight to get their story shown in entirety, including a kiss. Manoel (and Giovanna and Taina) are attempting to break a Brazilian taboo, and it's something that will take time. But if they manage it, they will open with gay and lesbian main stream storylines, and make it easier for writers in the future.

I think they deserve our patience. Everyone over at Em Familia is trying to get the story on air; they're fighting for it. And we're getting to witness both history, and a wonderful, realistic storyline.'